Hi-Fructose Magazine Avatar

Posts tagged art

317 Notes

An esoteric concept that fascinated the first Surrealists, an “égrégore” is a sort of mob mentality. Scholar Pierre Mabille defined it as “a group of humans endowed with a personality different from that of the individuals forming it.” This concept of collective consciousness was the springboard for Yves Laroche Gallery’s eponymous exhibition, the gallery’s largest group show to date. With dozens of artists, many of whom are associated with the Pop Surrealist movement, the show builds its momentum from the multitudes of distinct yet complementary aesthetics joined together. Among the line-up are names that will be well-known to our readers: Josh Agle (Shag), Martin Wittfooth, Amy Sol, Joe Sorren, Liz McGrath, Annie Owens (Hi-Fructose co-editor-in-chief), AJ Fosik, Miss Van and many others. Take a look at our sneak peek below before “Égrégore” opens on October 30 at Yves Laroche Gallery in Montreal. See more on Hi-Fructose.

268 Notes

A careful collector of found objects and (ethically sourced) animal bones, Jessica Joslincreates delicate sculptures that gracefully encase skeletal remains in baroque ornamentation. Using antique metals from chandeliers, samovars and other Victorian-era relics, Joslin gives the creatures whose bones she utilizes a dignified appearance even in death. Her work is both decorative and visceral, as her intricate craftsmanship belies her haunting subject matter. The artist recently created a new body of work for her solo show, “The Immortal Zoo,”opening October 24 at the non-profit gallery Firecat Projects in Chicago. Watch a teaser video and check out our preview of her latest work on Hi-Fructose.

286 Notes

Polish-born, German-based designer and illustrator Sebastian Onufszak has created graphics for dozens of big-name clients — from Karl Lagerfeld to Starbucks — but in his personal work, he pulls out all the stops. Onufszak’s chaotic drawings and paintings look as if the lid of his subconscious was taken off completely. Characters are piled together in an orgiastic cacophony of faces and limbs; every color of the rainbow is used liberally; loud, seemingly meaningless text is scrawled everywhere that it can fit. Calling his style dreamlike would be an understatement, as few of us have dreams quite this vivid. More on Hi-Fructose.

457 Notes

Bright flora bursts in Kent Williams’s paintings (featured in HF Vol. 21). Thick brushstrokes of hot pink, mint and navy hint at an arrangement of organic growths. Williams frequently positions his subjects in the outdoors, where they inhabit areas that seem wild and overgrown yet feel contained like miniature Edens. His characters fervently move as if enacting a frenetic dance performance, their motion captured by his expressive use of paint. While Williams has been widely recognized for his figurative work over the past 20 years, his first solo show with 101/Exhibit in Los Angeles, “How Human of You,” marks a shift into abstraction. Figures are still present in many of the works, but Williams removes the idea of time and place, instead suspending them in an imaginary space where his flamboyant color choices elicit a visceral, emotional response. See more on Hi-Fructose.

503 Notes

With a focus on light and perspective, Olafur Eliasson’s installations have a transformative capacity that allows the viewer to experience the illusion of a supernatural environment. In an interstitial space of the Samsung Museum of Art in Seoul, Gravity Stairs is composed of glowing spheres which, attached to the ceiling and bathed in warm yellow light, resemble the sun. The otherworldly light and a mirror on the ceiling present an impression of floating through space and among celestial bodies. Read more on Hi-Fructose.

304 Notes

Sometimes our crassest jokes reveal our hidden anxieties, while other times we create beautiful rituals surrounding that which we fear. It’s human nature to make light of death in order to not be consumed by the often incomprehensible idea of mortality. Examining a spectrum of responses to this difficult subject, Seattle gallery Roq La Rue recently collaborated with The Piranha Shop for a touring exhibition, “Boxes of Death.” Featuring well-known artists from the Pop Surrealist and low brow currents — like Camille Rose Garcia, Isabel Samaras and Casey Weldon — the show hit stops in LA, Portland and San Francisco and will be exhibited in Seattle for one night only at The Piranha Shop tomorrow, October 17. Read more on Hi-Fructose.

860 Notes

Working from her Brooklyn, NY studio, artist Zaria Forman creates pastel landscapes inspired by the beauty and vastness of the sky and the sea. Hers is an art created for facilitating a deeper understanding of a world in crisis. She is fascinated by the constantly-changing nature of water and inspired by the challenges of her medium.

Read our exclusive interview with Zaria Forman on Hi-Fructose.

210 Notes

Though research has emerged linking excessive social media use with anxiety and depression, our collective internet addiction shows no sign of slowing down. The fictionalized, digital selves we present to the online world comprise the bulk of some people’s social interactions. Australian artist Robin Eley interrogates the divide between one’s physical and digital identity in his new show “Prism,” opening at 101/Exhibit’sHollywood location on October 18. Read more on Hi-Fructose.

145 Notes

The current art market in the Bay Area is precarious. Two of the City’s three major art fairs disappeared last spring, galleries are getting evicted and artists are leaving due to unimpressive sales and rising rents. Curators from San Francisco and Oakland alike are racking their brains about how to appeal to the growing class of Twitterati. There is a disconnect between the Bay Area’s influx of wealth and its art. Tucked away in suburban San Mateo, just south of SF, Art Silicon Valley was envisioned as a fair that would entice the tech elite. With Maserati as a sponsor and only high-end galleries allowed, this was the glitzy answer to DIY endeavors that have been popping up recently (like Art Beats,covered here).

Regardless of one’s stance on the Bay Area’s rapid gentrification, it’s clear that a new approach is needed to keep the arts viable. The selection of galleries at Art Silicon Valley was refreshing. The event was put together by Art Miami, the organization behind several annual Basel Week fairs in December, and felt truly cosmopolitan. Art Silicon Valley was like a playground. There was a heavy emphasis on unusual materials, surprising effects and optical illusions. Read more on Hi-Fructose.

206 Notes

It’s blistering cold outside, but the whiskey is keeping you warm and the crackling of the record player is drowning out the howling wind outside. Jonathan Viner’s new paintings for his upcoming solo show “Cold Snap” immerses the viewer in stylized, retro images of this sort of wintery paradise. Filled with nostalgic imagery and elements of ’70s counterculture, his paintings are rife with intrigue amid their idyllic milieu. The works take on an illustrative quality as they let viewers in on an art theft in progress or what looks like an erotic encounter gone awry. “Cold Snap” opens at Sloan Fine Art in New York on October 24 and will be on view through November 2. See more on Hi-Fructose.