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142 Notes

908 Notes

584 Notes

red-lipstick:

Pep Carrió  (b.1963, Palma de Mallorca, Spain) - But My Face I Do Not Mind For I Am Behind It, 2004 Collages Surr

red-lipstick:

Pep Carrió  (b.1963, Palma de Mallorca, Spain) - But My Face I Do Not Mind For I Am Behind It, 2004 Collages Surr

347 Notes

Swoon’s immersive installation “Submerged Motherlands” is now on view at the Brooklyn Museum. Take a look at her new work on Hi-Fructose.

326 Notes

Winnie Truong (HF Vol. 22 cover artist) contemplates coming of age and mortality in her current show “Rites of Passage” at Galleri Benoni in Copenhagen. See more of her new work on Hi-Fructose.

587 Notes

Dionisio Gonzalez’s photo illustrations add fantasy architecture to areas affected by natural disasters. Read more on Hi-Fructose.

224 Notes

expecttheunexpectedtoday:

expecttheunexpectedtoday

The “Soundsuit” Invasion continues… 
American fabric sculptor, dancer and performance artist NICK CAVE

We covered Nick Cave in Hi-Fructose vol.18, here’s a new Sound Suit from him..

expecttheunexpectedtoday:

expecttheunexpectedtoday

The “Soundsuit” Invasion continues…
American fabric sculptor, dancer and performance artist NICK CAVE

We covered Nick Cave in Hi-Fructose vol.18, here’s a new Sound Suit from him..

1012 Notes

littlelimpstiff14u2:

Liquid Sculpture Art Photography by Jack Long

Jack Long, Liquid Art Photography. My goal is to create intriguing visual art using liquids as my subject. Because it is fluid, and happen so quickly, photography is the only method of seeing them. The photography portion is only the final stage in the creation of these images of fluids suspended in mid-air for a very brief period of time. The whole action takes just a fraction of a second. I work to create and capture the three dimensional fluid form at it’s most interesting shape and position. The form is captured with high speed flash photography that has a duration of as brief as 1/10,000th of a second. Even with complicated construction and extensive testing, the results are still often surprising and serendipitous.

While there is a lot of technical aspects to the work, my goal is to always strive to create visually intriguing photography. As an experienced photographer, the quality of light and form are extremely important in bringing out the characteristics and shapes of the fluids.

Unlike much splash based photography being made lately, the images I create are single capture events. I do not use photoshop composition or digital imaging to create my images. The techniques I use are self discovered and proprietary.

http://www.cuded.com/2013/01/incredible-splash-photography-by-jack-long/

'I have created forms as large as one half of a metre in diameter to as small as 5cm. They all have similar forms that I can then transform depending upon the variables I apply.'

The 53-year-old uses a Canon 1Ds MkII camera with a Canon 28-70 f2.8 lens at 50mm.

Mr Long added: ‘The shutter speed was set at 125, but because I was using high-speed flash, I just needed to trigger the lights while suppressing ambient light.

'I have used an infrared flash trigger at times but these are triggered more by eye and feel than with an electronic system.'

746 Notes

expecttheunexpectedtoday:

expecttheunexpectedtoday

Scissor Collection / Portfolio 
by Portland, Oregon photographer Jim Golden

Scissors!

expecttheunexpectedtoday:

expecttheunexpectedtoday

Scissor Collection / Portfolio
by Portland, Oregon photographer Jim Golden

Scissors!

546 Notes

2headedsnake:

Dave Watson

Say cheese!

2headedsnake:

Dave Watson

Say cheese!